With over 20 years experience in VFX Keith has been responsible for crafting a plethora of the most iconic moments in many of the biggest and most popular blockbuster film franchises in recent history such as James Bond , Harry Potter and Mission Impossible. His experience on set has seen him tackle countless large and technically challenging sequences often shooting in locations both exotic , exciting and treacherous . Keith is no slouch on the business side either having spent 10 years directly managing over 500 artists split across 3 global locations in London , Mumbai , Hyderabad and Vancouver. Keith also personally trained hundreds of vfx artists across multiple disciplines in both the UK and India and was directly responsible for ushering in a new era of modern infrastructure and methodologies at the Prime Focus/ DNEG studios in Hyderabad and Mumbai.

“Blocking and staging are the most important things in any shot ; a shot with no energy is at odds with the fabric of the film and is always only ever a bad shot even if the VFX work itself in its own right is top notch. VFX shots are fated to be good or bad well before they arrive at the computer, how well you start always dictates how well you can finish in VFX”

Vishrut Manseta VFX Supervisor and Head of Motion Graphics

Making a great reputation for himself as the undoubted premier motion graphics designer in India ; Vishrut has enjoyed wide respect from his peers around the world. Many significant Indian and Hollywood blockbusters rely heavily on his creativity for their captivating title sequences along with a myriad of glossy campaigns from many of the largest corporate clients in the world. Not content to rest on his laurels Vishrut directed his considerable skills and crossed over into live action VFX becoming a formidable VFX Supervisor in his own right on set and also in the studio where he looks after large teams of artists across a wide range of disciplines. Extremely passionate about his work Vishrut is that rare talent who can bring his abilities to bear on just about every technical and creative discipline involved in VFX from photorealistic 3D , 2D , FX and animation to graphic and title design.

“I’m a big Jazz fan and I firmly believe being able to improvise across many different design and imaging disciplines is the key to creating innovative and fresh work . Its about keeping it alive”

Elroy Simmons Animation Director

Elroy has truly been an Animator since birth and has honed his formidable skills over the last two decades . Elroy has an impressively wide stylist range as both an animator and director . Classic feature animation , modernist UPA , Loony Tunes , abstract and ornate fine art are all crafted with Elroy's signature beautiful quality of line , timing and design. Elroy has been responsible for many well loved moments across Film , HETV, Advertising , Channel idents and title sequences in his career.

Recent work of Elroy's can be seen in two independently made feature length, live-action/animated documentaries; “Doozy” (Director: Richard Squires. LMFYFF) and “Mansfield 66/67” (Directors: Todd Hughes, David Ebersole. The Ebersole Hughes Company). Both of these films utilise cartoon animation styles from the 1960s/70s and 50s/60s, respectively - to depict 'adult stories' from real lives.

Elroy directs commissions and his own personal art projects (under the Pasticherie banner) . He has substantial experience in both ‘Indie’ and commercial animation. Elroy works in a range of roles other than Animator ; Director , writer, character design , storyboarding, layout, animation timing, supervising and art direction.

Equally at home with traditionally animating with paper and pencil or within the varied pipelines and software of more modern production practices such as Photoshop, TV Paint and Toonboom. Blending the traditional and new to create unique and dynamic animated projects for clients around the globe.